Penolazzi positioned 48 of his stock of AKG 414 ULS microphones overhead throughout the ‘stage area’ in wide cardioid configuration. (Mic stands were mounted atop wind-up stands to reach the required height.) The band was thus covered in sections, obtaining a more selective compact mix. The consoles used were a Yamaha PM5D + DSP5D (PM5D brain without control surface) and an 01V96.
'via Blog this'