Majoring in English | The Feminist Wire

Majoring in English | The Feminist Wire: The first attempts in a creative writing course are often thinly veiled versions of ourselves, but when I got the peer critique, Your white character needs to be more sympathetic, I was still stung by its implication. Why does any character need to be sympathetic at all? I wrote myself into the white stepmother as much as I did the cheating Latino father, the disillusioned Latina mother, the Latina child caught in the middle of it all. But out of all the characters in that story, it was the white woman that my reader was most concerned with saving. The U.S. education system trains you to read the universal voice as a white heterosexual male’s voice, and too many deviations from that path get you sent to the Ethnic Fiction section.