the need in our culture for everything to be "the best" or "the worst," with no room for "lousy story but terrific lead performance," or "great vocals but crummy lyrics," or "jerky third baseman but impressive starting pitching," or "wrong on abortion but right on tax reform." In our preference for all or nothing—and our tendency to push everything into the slot we've already assigned it to in our heads—I worry that we sometimes miss what we're actually seeing and hearing.And that's what's happened with The Newsroom: Because Sorkin didn't match "the best" work of his career (The West Wing), he's made "the worst," and now let's see who can most entertainingly tear it to pieces. Take Sorkin down, write about what an insufferable windbag he's become, call his show a miserable failure. It'll get traffic—takedowns get clicks, after all. Which, when you stop to think about it, is part of what The Newsroom is rallying against in the first place.
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28 August, 2012
Why I Love 'The Newsroom': A Defense of Imperfection - Jason Bailey - The Atlantic
Why I Love 'The Newsroom': A Defense of Imperfection - Jason Bailey - The Atlantic: Last May, the AV Club's Noel Murray wrote of: