18 July, 2012

How the Gorgeous, Sometimes Fictional Sound of the Olympics Gets Made - Alexis Madrigal - The Atlantic

How the Gorgeous, Sometimes Fictional Sound of the Olympics Gets Made - Alexis Madrigal - The Atlantic: "In Atlanta, one of my biggest problems was rowing. Rowing is a two-kilometer course. They have 4 chaseboats following the rowers and they have a helicopter. That's what they need to deliver the visual coverage of it," Baxter explains. "But the chaseboats and the helicopter just completely wash out the sound. No matter how good the microphones are, you cannot capture and reach and isolate sound the way you do visually. But people have expectations. If you see the rowers, they have a sound they are expecting. So what do we do?"

Well, they made up the rowing noises and played them during the broadcast of the event, like a particularly strange electronic music show.

"That afternoon we went out on a canoe with a couple of rowers recorded stereo samples of the different type of effects that would be somewhat typical of an event," Baxter recalls. "And then we loaded those recordings into a sampler and played them back to cover the shots of the boats."